SIDXO.

An artistic practice seen through neurodiverse eyes—and built without waiting for permission.

I was rejected from art school. Literal thinking turned that closed door into a working method: learn the material, learn the machine, then make the two misbehave together.

ACRYLIC and OAK sit beside 3D, animation, sound and CG. CODE and ENGINEERING turn the images into games, contracts, pack tears, evolving objects and systems that ask the audience to do more than look.

Characters move between physical and digital forms. Cities become surreal structures. Squares repeat, fracture and acquire rules. The same bright invitation carries joy, empathy and sensory overload across every medium.

I make the whole world around the work so it can tell its own story—and reach someone without me ever entering the room.